Dianne Reeves is one of the most popular voices in jazz. The Frankfurt Radio Big Band had the honor of inviting one of the great divas of jazz onto the stage. With the best sound in our new series "Live + Mastered". Like it? Then please subscribe here: https://www.youtube.com/channel/UC4LDP8Ee097zy6WOMuxI6Ag?sub_confirmation=1 "Live + Mastered" what does that mean? Our Sound engineers do the best job on earth to work on the sound of our live shows to make it even more "fresh", "brilliant", "differentiated" - what ever you may call it. We invite you to watch and listen to this mastered version (with all the details in the arrangements made more "stand out"). If you wish here you will find the livestream version to compare: https://www.youtube.com/live/4R30zdtr... We would love to hear your comments! Do you hear the difference? What do you like most? Timecodes: 0:00 Intro 0:33 STEVE-O Komp.: John Beasley Soli: John Beasley, p; Felix Fromm, tb; Rainer Heute, bari 08:27 WHAT'S NEW? Komp.: Bob Haggart and Johnny Burke Soli: Dianne Reeves, voc; John Beasley, p 16:04 CAFE Komp.: Egberto Gismonti Soli: Axel Schlosser, tp; Heinz-Dieter Sauerborn, as; John Beasley, p 23:16 PEACE Komp.: Horace Silver Soli: John Beasley, p; Dianne Reeves, voc 30:50 SOMEDAY Komp.: George Duke Soli: Hans Glawischnig, b; Günter Bollmann, tb 36:57 SOMEONE TO WATCH OVER ME Komp.: George & Ira Gershwin Soli: Martin Scales, g 44:24 NADA SERA COMO ANTES Komp.: Milton Nascimento Soli: John Beasley, p; Denis Gäbel, ts; Dianne Reeves, voc; Martin Scales, g 53:17 LAZY AFTERNOON Komp.: Jerome Moross 1:00:00 MINUANO Komp.: Pat Metheny and Lyle Mays Soli: Dianne Reeves, voc; Martin Scales, g 1:12:00 FOOTPRINTS Komp.: Wayne Shorter Arr.: Renee Rosnes & John Beasley Soli: Heinz-Dieter Sauerborn, ss; Axel Schlosser, tp 1:29:07 MAKE SOMEONE HAPPY Komp.: Jule Styne, Betty Comden and Adolph Green Soli: Steffen Weber, ts All titles arranged by John Beasley except Footprints. General Information: DIANNE REEVES | Vocals JOHN BEASLEY | Conductor  + Arrangements hr-Bigband / Frankfurt Radio Big Band  Alte Oper, Tuesday April 23rd 2024  hr-Bigband / Frankfurt Radio Big Band Heinz-Dieter Sauerborn, Oliver Leicht, Steffen Weber, Denis Gäbel, Rainer Heute, saxes; Frank Wellert, Thomas Vogel, Martin Auer, Axel Schlosser, tps; Günter Bollmann, Felix Fromm, Christian Jaksjö, Robert Hedemann, tbs; John Beasley/Sebastian Scobel, p; Martin Scales, g; Hans Glawischnig, b; Jean Paul Höchstädter, dr She is one of the most successful jazz singers worldwide: Dianne Reeves. The American can already call five Grammys her own, and for that she has already secured a place in the music Olympus. The Frankfurt Radio Big Band now has the honor of inviting one of the great divas of jazz onto the stage, together with Grammy winning John Beasley who will conduct the Frankfurt Radio Big Band playing his new arrangements for this special program. deutsch: Sie ist eine der erfolgreichsten Jazz-Sängerinnen weltweit: Dianne Reeves. Fünf Grammys darf die US-Amerikanerin bereits ihr Eigen nennen und dafür ist ihr ein Platz im Musik-Olymp jetzt schon sicher. Die hr-Bigband hat nun die Ehre, eine der großen Diven des Jazz auf die Bühne bitten zu dürfen, gemeinsam mit Grammy-Preisträger John Beasley, der die hr-Bigband nicht nur leiten wird, sondern auch neue Arrangements extra für dieses Zusammentreffen geschrieben hat. Credits ⤵ Orchestermanagement/Redaktion: Olaf Stötzler Produktionsleitung hr-Bigband: Rebecca Diedrich Künstlerische Produktion: Astrid Gubin Tonmeister: Axel Gutzler Toningenieur: Robin Bös Monitoring: Francisco Hitzel FOH: Alexander Kolb Tontechnik: Christian Schrod, Rupert Loose Kamera: Jan Gleichmann, Henriette von Netzer, Gerry Kaul, Sven Bader, Sofia Ayerbe Fiala Regieassistenz: Alexander Militz Aufnahmeleitung: Nicole Wunderlich Produktionstechnik: Andreas Koert, Martin Fabriz Live Streaming: Jeannie Lukaszewicz Producing: Nikolas Pieper, Alexander Militz Bildführung: Ralph Staudte Produktionsleitung: Ulrich Dautel Postproduktion: Christian Schrod Redaktion: Arne Kapitza, Paul Gengenbach

DVD Lucy Alves e Clã Brasil O Melhor Do Baião

A robotics company executive pushes for the development of an android companionship model and unexpectedly spends a week with her. "A Week With Rebecca" by Marcus Shenn Connect with the Filmmaker and "A Week With Rebecca": https://www.instagram.com/incognito.et.veritas/ https://www.aweekwithrebecca.com https://www.imdb.com/title/tt13155080/ https://www.facebook.com/aweekwithrebecca "A Week With Rebecca" Credits: Directed by - Marcus Shenn Written by - Matthew Marder and Marcus Shenn Produced by - Matthew Marder Director of Photography - Kai K. Krause Production Designer - Tyler Peters Editors - Jeff Seibenick Steve Watkins Costume Design - Tabatha Ray Visual Effects Supervisor - Marcus Alexander Unit Production Manager - Matt Marder 1st Assistant Director - Adam Chase Cohen Script Supervisor - Chloe Williams Ryan Lansing - Phil Kruse Rebecca - Nika Burnett Doctor Benton - B.Z Cullins Ryan’s sister - Michelle Agresti Katie - Anthia Gillick Board Chairman - Brock Morse Board Member 1 - Judy Clement Board Member 2 - Nadja Hoyer Booth Board Member 3 - John Atkins Other Board Members - Rodney Garza Dan Holm Glend McDougal Claire Montgomery Larry Parish Jacinta Roberts Craig Russell Jonée Shady Lab Assistants - Tatjana Bluchel Matt Krakaur Shane Bannon - Art Director Michi Oyama - Set Dresser Prop Designer - David Chamberlain Rob Snyder - 1st Assistant Camera Mateo Arturo - 2nd Assistant Camera Gaffer - Thomas Smith Key Grip - Samuel Diaz Grips - Lenny McLeod Yoann Cifuentes Mike Long Mixer - Blake Christian Boom Operators - Christopher Cole Graham Farrell Scott Marshall Makeup & Hair - Tatjana Bluchel Production Assistants - Sydney Kasahara Aja Morris-Smiley Truck Assistant - Jason Urbanski Post Production Motion Graphics and Visual Effects - Alan Chamberlain Color Grading - Kai K. Krause Sound Engineering and Design - Filippo Fabbri Final Sound Mixing - Xavier Dreyfuss Poster Design - Adèle Burgés Casting courtesy of - Breakdown Express Music Music Composition - Filippo Fabbri Music Licensing - Julian Drucker Special Thanks to Mr and Mrs. Shen Célia Clement Jessica Solse Anne Carmack Popsicle LA Chris Esclapez Subscribe to the DUST Newsletter: http://eepurl.com/gnTIbD Subscribe to DUST on YouTube: http://bit.ly/2aqc5vh #DUST #scifi #shortfilm About DUST: DUST presents thought-provoking science fiction content, exploring the future of humanity through the lens of science and technology. From timeless classics to cutting-edge movies, series, short films, and podcasts, DUST acquires, produces and distributes all content types. Connect with DUST Website: http://www.watchdust.com Sign-up for DUST newsletter: http://eepurl.com/b_SKAz Watch DUST on your TV: Available on Roku, Samsung TV, Apple TV, Android TV...and more Watch more on YouTube: http://bit.ly/2amTSen Follow Us on Facebook: http://bit.ly/2aqYgtZ Follow Us on Instagram: http://bit.ly/2amAhRt Listen to the DUST podcast: Apple: http://bit.ly/DUST-Audio Spotify: http://bit.ly/DUST-Spotify Stitcher: http://bit.ly/DUST-Stitcher Castbox: http://bit.ly/DUST-Castbox iHeart: http://bit.ly/DUST-iHeart About Gunpowder + Sky: Creating content that resonates and impacts pop culture conversation, by empowering creators to take risks and experiment relentlessly in the pursuit of novel stories and formats. https://www.youtube.com/watchdust Subscribe to the DUST and ALTER newsletter: http://eepurl.com/dChYXb

The speech Meryl Streep gave following Viola Davis presenting her with the Cecil B. deMille Award on Jan 8, 2016 at the 74th Golden Globe Awards.

This concert was recorded live on June 20th as part of a heartwarming celebration of International Refugee Day! Meaning “give and take” in Ukrainian, DakhaBrakha blends traditional Ukrainian folk music with global rhythms, creating a mesmerizing trans-national sound. Winners of the Shevchenko National Prize in 2020, DakhaBrakha performs around the world, bringing song and stories from their homeland of Kiev. Experience the joy of cultural exchange through captivating video content and live music.

►What If Everything You Knew Was a Lie? #RedPillMoment Chris Langan, often referred to as 'the smartest man in America,' is renowned for his exceptionally high IQ, reportedly around 200. Despite facing challenges in traditional education, he developed the Cognitive-Theoretic Model of the Universe (CTMU), a philosophical framework that explores the relationship between mind, reality, and existence." ► Connect with Crish Langan: https://chrislangan.substack.com/ https://megafoundation.substack.com/ https://x.com/RealChrisLangan ✅GET YOUR FREE NUMEROLOGY READING HERE: https://bit.ly/numericalreading ✅SELF-HYPNOSIS AUDIO PROGRAMS: Reprogram Your Subconscious Mind http://bit.ly/2RGCade Time Stamps: 0:00 - MUST SEE!!! 1:23 - Chris Langan and CTMU 2:00 - The Existence of GOD 4:43 - Simulation Hypothesis 7:41 - Consciousness and Reality 9:52 - Free Will and Causation 12:04 - AfterLife 14:17 - Angels and Demons --------------------------------------------------------------------------------------------------------------------- ►Copyright ©: Script - BE INSPIRED Narration - BE INSPIRED Footage is licensed through Videoblocks, Artgrid, and Envato. Music: Epidemic Sound / Audiojungle / Envato Elements Interviews / Video References were used under FAIR USE LAW. © BE INSPIRED CHANNEL - All rights reserved --------------------------------------------------------------------------------------------------------------------- For any concerns or business inquiries, please contact us at: beinspiredmanager@gmail.com AFFILIATE DISCLOSURE: there may be a few links in this description that, at no cost to you, will earn us a commission if you choose to click them and make a purchase Don’t worry, we only recommend products we know and trust!

Composition, baroque lute: Naochika Sogabe In this recording you can hear more resonance of the instrument than in other titles. The reason for this is the key of the piece, which is something special for baroque lute... The main key of this piece is F sharp minor and baroque lutes can be tuned particularly purely in this key. This allows the instrument to vibrate better and creates more resonance. The lutenists in France in the 17th century left many compositions in this key, although they are relatively difficult to play on the baroque lute. Nevertheless, the lutenists preferred this key because of its special resonance. - Download MP3 audio to listen offline - Original version ca. 23 minutes: https://naochika.com/product/finally/ Extended version ca. 90 minutes (attention, large file!): https://naochika.com/product/finally-ext/ Copyright ©2025 Naochika Sogabe - To use my music for your project or business, please declare it to the performance rights organization (PRO) in your country - e.g. GEMA (Germany), ASCAP (USA), PopArabia (MENA) etc. Become a Member & support my creative activity! Reduction for MP3, ads-free streaming & membars only special contents https://naochika.com/membership-account/subscription/ Thanks for donation!: https://paypal.com/paypalme/naosogabe If you have no financial leeway, please keep running the skippable ads at for least 30 seconds, you will support me without paying any money. If you are a YouTube Premium member, the creator is automatically paid for each view. "Wow nice sound!" - it took me 30 years!: https://youtu.be/OMm1E54gUr4 Concept of my Channel: https://youtu.be/A3Ose_m3JTM About my Instruments: https://youtu.be/A_ThwxIOaV4 One Instrument - Three Periods: https://youtu.be/s3vk6FxGHMc Tame the Wolf - About Intonation: https://youtu.be/cOvhC7LsfNU Unfair Payment in Music Streaming: https://youtu.be/BzM2rPoODZk 432Hz Healing Frequency or Hocus-Pocus?: https://youtu.be/g2NI95z-Qv8 Only some short versions of my music are on spotify! Youtube is the only platform that pays fair amount to creators. Injustice on music streaming: https://youtu.be/BzM2rPoODZk I'm from Japan and studied historical music and music ethnology in Cologne/Germany and The Hague/Netherlands. Now I live at the border between Germany and France. - Oud & Lute - King of Instruments - The origin of the oud belongs to the ancient times and similar instruments were used by the Babylonian and ancient Egyptian. Until today, oud is played as the "king of instruments" in Arabic culture. The oud found his way to Europe in medieval times and it became "lute". During the Renaissance the lute was also regarded as the "king of instruments". #ambient#realhuman#japanesemusician

The composer and virtuoso Silvius Leopold Weiss is a key figure in the late lute repertoire. His legacy of more than 800 pieces, often grouped in suites or six-movement sonatas, is compared to that of his contemporary J. S. Bach: a German fusion of French and Italian influences. Heinrich Ignaz Franz Biber (1644-1704) 00:00 Passacaglia in G Minor for solo violin* Johann Sebastian Bach (1685-1750) Sonata No. 1 in G Minor for Violin Solo, BWV 1001 (selection)* 08:33 Adagio 11:45 Fugue Georg Philipp Telemann (1681-1767) Fantasy No. 1 in B flat Major for Violin Solo, TWV 40: 14* 16:45 Largo 18:56 Allegro 20:43 Grave 22:03 Allegro Sylvius Leopold Weiss (1686-1750) 23:46 Fantasia in C Minor, SW 9 Sonata in F major SW 1 27:48 Prélude 30:13 Allemande 34:37 Courante 37:46 Sarabande 41:16 Gavotte 43:04 Gigue Johann Sebastian Bach (1685-1750) 46:50 Ciaccona, from Partita No. 2 in D Minor for Violin Solo, BWV 1004* *Transcription for lute by Xavier Díaz-Latorre Xavier Díaz-Latorre, baroque lute Grant Tomlinson's thirteen-order lute (Vancouver 1989) Concert “The swan song”, from the series “From Dowland to Weiss: the splendor of the lute”. https://www.march.es/es/madrid/concierto/dowland-weiss-esplendor-laud-iii-canto-cisne 7 of November 2020 Fundación Juan March, Madrid ______________ Concerts at Fundación Juan March: https://www.march.es/en/madrid/concerts More videos at https://canal.march.es/es/explorar/musica Instagram: https://www.instagram.com/fundacionmarch X: https://twitter.com/la_march_madrid Facebook: https://www.facebook.com/fundacionmarch Medium: https://fundacionjuanmarch.medium.com #XavierDiazLatorre #Baroque #MarchVivo